Mathimaran
Mathimaran
- -A movie that describes dwarfism with thrill and twists. The film explores themes of love, resilience, and mystery
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Tamil movie “Mathimaran” is currently streaming on Amazon Prime Video. It was released on the platform on January 29, 2024.
Movie Review
Synopsis: Mathimaran, directed by Mantra Veerapandian, introduces us to Nedumaran (Venkat Senguttuvan in his debut role), a man born with a vertical challenge who, despite constant body shaming, aspires for a simple and peaceful life. Set in Tirunelveli, Nedumaran, and his twin sister Mathi (Ivana), navigate life’s challenges with the unwavering support of their father (MS Bhaskar), a dedicated postman whom Nedumaran idolizes.
Plot Analysis: Nedumaran, despite his academic achievements, wishes to follow in his father’s footsteps as a postman, embodying the film’s message that one need not achieve greatness to be remembered; being a good person is enough. This poignant theme, however, is overshadowed by a screenplay that fails to rise to the occasion.
Performances: Venkat Senguttuvan delivers a heartfelt performance, convincingly portraying a character who has grown deaf to insults and just wants a quiet life. Ivana’s portrayal of Mathi is commendable, showcasing a steady growth in her acting prowess. The sibling bond, with Nedumaran affectionately calling his twin sister “akka,” is touching and well-executed.
Direction and Writing: Director Mantra Veerapandian deserves praise for casting a vertically challenged actor as the protagonist, bringing authenticity to Nedumaran’s challenges. However, the film’s constant reliance on jokes and situations aimed at evoking pity feels forced. The preachy dialogues about the irrelevance of physical appearance, repeated ad nauseam, become overbearing.
Subplots and Sensitivity Issues: A significant misstep is the subplot involving a serial killer targeting women living alone. The police’s insensitive labeling of these victims as “sexually deprived” and the camera’s sensationalized focus on the crime scenes are in poor taste, undermining the film’s serious tone. Additionally, the depiction of suicide victims is handled insensitively, focusing more on their suffering than on the gravity of the issue.
Mathimaran, while ambitious in its intention to spotlight the life of a vertically challenged individual, falls short in execution. The second half drags with ineffective thrills and twists, and the film’s runtime could have benefited from tighter editing. The narrative should have focused more on Nedumaran’s character rather than his condition, presenting a more balanced and impactful story.
In the end, Mathimaran is a film with a powerful message that gets lost in its flawed delivery. It reminds us that superior screenplay and writing are crucial for a film to be remembered, much like the simple, peaceful life Nedumaran yearns for.
